Cat on a Hot Tin Roof

"Jason Sherwood has designed a handsome bedroom that morphs into other locations and Hunter Kaczorowski's costumes — especially some brilliantly colored one for the ladies –are quite striking and apt —- for a wealthy delta family. "
CurtianUp

Hunter Kaczorowski’s costumes, particularly the women’s dresses, are great.
Westfield News

 

The Fix

"[Christine Sherrill] brings intimidating composure and a conservative sense of style to the role, thanks in part to the tight, plain Political Wife dresses by costume designer Hunter Kaczorowski."
The Washington Post

"Costumes by Hunter Kaczorowski give each character a clear visual presence with Sherrill and Zampelli especially dressed to give off their character’s deep, conflicted inner being" 
DC Metro Theater Arts

"...[the Chandler family finds] presentable and photogenic girl from a good family that costume designer Hunter Kaczorowski dresses in a sarcastic characterization of a 1950s Stepford Wife. Kaczorowski dresses Violet, the elegant Christine Sherrill, in smart, conservative suits and dresses that take advantage of Sherrill’s sleek build and emphasizes the character’s sophistication and focused determination."
Washington Life Magazine

"[Sherrill] is aided by Hunter Kaczorowski's gorgeous mod-sixties costumes, which has her looking every bit the stately Washington wife."
Broadway World

"Set perhaps in the 60’s or the modern day, both Schaeffer and Costume Designer Hunter Kaczorowski toe the delicate line of blending these time periods to keep the audience mentally unbalanced as to when this story takes place. With classic Jackie-O inspired outfits for Violet and crisp pressed suits among the males in every role, it is difficult to say whether the show has a definitive time-scape. This, however, is not a detracting factor, showing that the musical can speak to multiple generations and that the underlying tensions of political corruption from then are still prominent and realistic to the modern day politician and political scene."
Theatre Bloom

 

Design For Living

"A stylish revival"
The Wall Street Journal

"Nicely turned out with chic touches of period style in both the sets and costumes"
CurtainUp

"[Venturi] looks great in all of the clothing designed for her by the talented Hunter Kaczorowski"
The Berkshire Edge

"The costumes by Hunter Kaczorowski work to excellent effect to set the moods of each shift in the life of the three main characters"
Berkshire Fine Arts

"Throughout, Hunter Kaczorowski's wardrobe choices are spot-on."
Talkin' Broadway

"Kaczorowski has created a rather scintillating array of costumes that significantly assist in anchoring the play in the 1930’s"
The Examiner

 

A Streetcar Named Desire

"Hunter Kaczorowski provides faithful period costumes"
Exeunt Magazine

"Hunter Kaczorowski’s costuming is excellent; especially the array of faded ball gowns and negligees he’s provided Blanche."
The Connecticut Bulletin

"Hunter Kaczorowski has contributed a selection of costumes that capture Stanley's working class masculinity and Stella's thrift (including a snood!), while providing a wardrobe full of colorful and creative dresses, wraps and furs for Blanche"
The Examiner

"...and [Blanche's] costumes (Hunter Kaczorowski) are amazing—particularly the robe of Della Robbia blue in which she departs her sister’s home."
The New Haven Review
 

Sunday in the Park with George 

"Immaculate and elaborate"
New Haven Theater Jerk

"All in all, the show is a spectacular, from the care with which the costumes (Hunter Kaczorowski) match the figures in Seurat’s painting, to the use of compositional space in arranging the figures, to the effects of color and light (Oliver Watson, Lighting Design) able to suggest the Neo-Impressionist’s approach, to—in Act Two, set in the Eighties—hanging TVs and subtly illuminated canvases, to say nothing of one helluva blue suit."
The New Haven Review

 

The Human Comedy

  “Hunter Kaczorowski’s costumes are exceptional.”
The New York Times

Gorgeous, period-perfect costumes  designed by Hunter Kaczorowski”
Queens Gazette

 

Ermyntrude & Esmeralda

 

"Transformed into a play by Hunter Kaczorowski at the Yale Cabaret, E & E entertains—and might even make you blush!  Engagingly enlightening!"
 The New Haven Review

"The puppetry adds an extra layer of nuance and insight into the character’s imaginations, directed with a precise amount of humor and economy. Masterful."
 The Yale Daily News

 

Children of Eden

“Hunter Kaczorowski's costumes are suitably biblical… [his] puppetry work is delightfully simple and chooses wit over complexity; my only complaint is that there was not enough of it.”
Theatre Is Easy

“Hunter Kaczorowski, responsible for the many costumes and puppets, cleverly begins his color palette with white and works his way to bright and colorful fabrics by the end of the evening.” 
TheatreScene.net

“Highlights include a shadow-puppet naming-of-the-animals sequence and a clever gathering-of-the-animals-at-the-ark ballet” 
Backstage

 

90 Ways to Wake from Drowning

 

"I followed almost all of it with my heart in my mouth"
The New York Times

"With the world premiere of 90 ways to Wake from drowning, Sarah A.O. Rosner and her ensemble, The A.O. Movement Collective, have taken an important, assertive step into the spotlight of contemporary dance...keep an eye on this choreographer and this collective" 
Infinite Body

"Hunter Kaczorowski’s costume of a black mini dress with strategic splashes of lace makes gorgeous use of Ms. Sheldon’s lanky build."
Dance Enthusaist

 

And Then I Wrote a Song About It

"Clad in dark pants, a sparkly black top and a white sweatband — at one point stripping to purple briefs for a “Flashdance” bit — Mr. Cearley chatters away personably"
The New York Times

"Hunter Kaczorowski’s sparkly costumes glitz up the joint in good ways" 
SanDiego.com

 

The Jewbird

“Under the direction of Annie Levy, the staged “Jewbird” employs an appropriately scruffy puppet designed by Hunter Kaczorowski and the bird itself is given edgy voice and movement by Jon Adam Ross, clad like the unkempt bird all in black, including a soiled overcoat. So far, so good.”
The New York Times

 

Like You Like It

"Like You Like It, an '80s light rock riff on Shakespeare, is quite likeable. Alison Luff, Hollis Scarbourgh, and Trey Compton are such charming A+ actors that, when they're in the midst of a well-executed number from choreographer Keith Andrews, and wearing Hunter Kaczorowski's slammin' clothes, all you see is a blur of comic cheer--and that's something we can all like."
New Theatre Corps

“Hunter Kaczorowski's costumes are fantastic, especially his Touchstone costume and the Molly Ringwald and Madonna-inspired costumes for Celia. One of the best moments in the show revolves around Celia's "reveal" where she goes from being 'Madonna' back to Celia, with the help of some costume business.”
OOBR.com

“Fantastic ’80s-era costumes”
Edge New York

 

Duncan, Part One

“For 'Duncan, Part One, or the Boy with a Bird in his Heart,'  the compelling Hunter Kaczorowski  produced a potent vignette around the early life story of the painter Duncan Grant, whose color sense and artistic sensibility helped illuminate this doll-house-size depiction” 
The Wall Street Journal

“Wonderful puppets by Hunter Kaczorowski”
Curtain Up